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akubizone: theloudestvoice: Gloria Swanson as a young girl I’ve posted this photo before, but without this anecdote: “I was born on March 27, 1899, under the sign of Aries. My maternal grandmother, who was in attendance, leaned down to my pale, exhausted mother and said, “She’s beautiful.” Then she turned to the doctor, and lowering her voice so that her daughter wouldn’t hear, asked, “But aren’t her ears awfully large?” …The size of my ears, which had alarmed my grandmother Bertha Lew the day I was born, continued to worry my mother in the years to come. My big blue eyes were one thing; my big ears were something else. So for years, while all the other girls my age were wearing teeny tiny hair ribbons, my mother made giant silk bows and poufs for me to hide my ears.” ~Gloria Swanson in Swanson on Swanson: An Autobiography (This book is a real page-turner and made me love Gloria to pieces, for her virtues and for her faults. :) This particular passage also made me hyper-aware of the fact that even grown-up famous actress Gloria Swanson wears an awful lot of large ornaments, ribbons and hairstyles that cover her ears!) My Grandma reminded me of Swanson and lived kitty-corner to Sunset Boulevard.
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akubizone:

theloudestvoice:

Gloria Swanson as a young girl

I’ve posted this photo before, but without this anecdote:

“I was born on March 27, 1899, under the sign of Aries. My maternal grandmother, who was in attendance, leaned down to my pale, exhausted mother and said, “She’s beautiful.” Then she turned to the doctor, and lowering her voice so that her daughter wouldn’t hear, asked, “But aren’t her ears awfully large?”

…The size of my ears, which had alarmed my grandmother Bertha Lew the day I was born, continued to worry my mother in the years to come. My big blue eyes were one thing; my big ears were something else. So for years, while all the other girls my age were wearing teeny tiny hair ribbons, my mother made giant silk bows and poufs for me to hide my ears.”

~Gloria Swanson in Swanson on Swanson: An Autobiography

(This book is a real page-turner and made me love Gloria to pieces, for her virtues and for her faults. :) This particular passage also made me hyper-aware of the fact that even grown-up famous actress Gloria Swanson wears an awful lot of large ornaments, ribbons and hairstyles that cover her ears!)

My Grandma reminded me of Swanson and lived kitty-corner to Sunset Boulevard.

ornamentedbeing: NO RAINBOW WITHOUT THE SUN (from Venetian Red) “As a protege of the favored court painter, Oliver painted a miniature that was a likeness of the aging Queen which could have cost him his career. In 1596 the Privy Council issued orders that all “unseemly portraits” of the Queen be destroyed—thereafter the Queen was pictured only in the so-called “Mask of Youth” and portrayed as untouched by age. Elizabeth I often referred to the sorrows of her aging body, so it wasn’t vanity that prompted this edict, rather a wish to portray the monarch as perpetually potent, ageless—especially critical for maintaining the authority of an unmarried Queen who would never produce a male heir.  Rainbow Portrait was painted when Elizabeth was 67 years old. Volumes have been written about this painting, interpretations that expound, variously and with great conviction, on the perceived religious, political, literary and sexual symbolism in the work. On the simplest level, it is a portrayal of Elizabeth as Astraea, the youthful goddess of justice. She is wearing pearls, the symbol of virginity; her bodice is embroidered with English wildflowers to symbolize her youth and virtue. The serpent embroidered on her left sleeve represents wisdom, also alluding to Eden and the need to be ever-vigilant against evil. The serpent also has a heart-shaped ruby in his mouth, indicating that Elizabeth’s heart is ruled by wisdom, not emotion. Elizabeth’s mantle is covered with ears and eyes, indicating that the Queen sees and hears all–or, perhaps, that her counselors and servants see all, but that only she speaks. In her right hand she holds a rainbow, symbol of hope, wisdom, faith and peace. The rainbow is oddly colorless—but the explanation seems to be in the Latin inscription on the painting, “Non sine sole iris”—no rainbow without the sun. Queen Elizabeth is the sun, her vibrant red hair and the elaborate rays of her multi-tiered lace collar proclaim that she outshines all by her brilliance, that she is the link to the divine, and that by her wisdom and virtue the people of England will be guided to peace and prosperity.”
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ornamentedbeing: NO RAINBOW WITHOUT THE SUN (from Venetian Red) “As a protege of the favored court painter, Oliver painted a miniature that was a likeness of the aging Queen which could have cost him his career. In 1596 the Privy Council issued orders that all “unseemly portraits” of the Queen be destroyed—thereafter the Queen was pictured only in the so-called “Mask of Youth” and portrayed as untouched by age. Elizabeth I often referred to the sorrows of her aging body, so it wasn’t vanity that prompted this edict, rather a wish to portray the monarch as perpetually potent, ageless—especially critical for maintaining the authority of an unmarried Queen who would never produce a male heir.  Rainbow Portrait was painted when Elizabeth was 67 years old. Volumes have been written about this painting, interpretations that expound, variously and with great conviction, on the perceived religious, political, literary and sexual symbolism in the work. On the simplest level, it is a portrayal of Elizabeth as Astraea, the youthful goddess of justice. She is wearing pearls, the symbol of virginity; her bodice is embroidered with English wildflowers to symbolize her youth and virtue. The serpent embroidered on her left sleeve represents wisdom, also alluding to Eden and the need to be ever-vigilant against evil. The serpent also has a heart-shaped ruby in his mouth, indicating that Elizabeth’s heart is ruled by wisdom, not emotion. Elizabeth’s mantle is covered with ears and eyes, indicating that the Queen sees and hears all–or, perhaps, that her counselors and servants see all, but that only she speaks. In her right hand she holds a rainbow, symbol of hope, wisdom, faith and peace. The rainbow is oddly colorless—but the explanation seems to be in the Latin inscription on the painting, “Non sine sole iris”—no rainbow without the sun. Queen Elizabeth is the sun, her vibrant red hair and the elaborate rays of her multi-tiered lace collar proclaim that she outshines all by her brilliance, that she is the link to the divine, and that by her wisdom and virtue the people of England will be guided to peace and prosperity.”
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ornamentedbeing: NO RAINBOW WITHOUT THE SUN (from Venetian Red) “As a protege of the favored court painter, Oliver painted a miniature that was a likeness of the aging Queen which could have cost him his career. In 1596 the Privy Council issued orders that all “unseemly portraits” of the Queen be destroyed—thereafter the Queen was pictured only in the so-called “Mask of Youth” and portrayed as untouched by age. Elizabeth I often referred to the sorrows of her aging body, so it wasn’t vanity that prompted this edict, rather a wish to portray the monarch as perpetually potent, ageless—especially critical for maintaining the authority of an unmarried Queen who would never produce a male heir.  Rainbow Portrait was painted when Elizabeth was 67 years old. Volumes have been written about this painting, interpretations that expound, variously and with great conviction, on the perceived religious, political, literary and sexual symbolism in the work. On the simplest level, it is a portrayal of Elizabeth as Astraea, the youthful goddess of justice. She is wearing pearls, the symbol of virginity; her bodice is embroidered with English wildflowers to symbolize her youth and virtue. The serpent embroidered on her left sleeve represents wisdom, also alluding to Eden and the need to be ever-vigilant against evil. The serpent also has a heart-shaped ruby in his mouth, indicating that Elizabeth’s heart is ruled by wisdom, not emotion. Elizabeth’s mantle is covered with ears and eyes, indicating that the Queen sees and hears all–or, perhaps, that her counselors and servants see all, but that only she speaks. In her right hand she holds a rainbow, symbol of hope, wisdom, faith and peace. The rainbow is oddly colorless—but the explanation seems to be in the Latin inscription on the painting, “Non sine sole iris”—no rainbow without the sun. Queen Elizabeth is the sun, her vibrant red hair and the elaborate rays of her multi-tiered lace collar proclaim that she outshines all by her brilliance, that she is the link to the divine, and that by her wisdom and virtue the people of England will be guided to peace and prosperity.”
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ornamentedbeing:

NO RAINBOW WITHOUT THE SUN

(from Venetian Red)

“As a protege of the favored court painter, Oliver painted a miniature that was a likeness of the aging Queen which could have cost him his career. In 1596 the Privy Council issued orders that all “unseemly portraits” of the Queen be destroyed—thereafter the Queen was pictured only in the so-called “Mask of Youth” and portrayed as untouched by age. Elizabeth I often referred to the sorrows of her aging body, so it wasn’t vanity that prompted this edict, rather a wish to portray the monarch as perpetually potent, ageless—especially critical for maintaining the authority of an unmarried Queen who would never produce a male heir. 

Rainbow Portrait was painted when Elizabeth was 67 years old. Volumes have been written about this painting, interpretations that expound, variously and with great conviction, on the perceived religious, political, literary and sexual symbolism in the work. On the simplest level, it is a portrayal of Elizabeth as Astraea, the youthful goddess of justice. She is wearing pearls, the symbol of virginity; her bodice is embroidered with English wildflowers to symbolize her youth and virtue. The serpent embroidered on her left sleeve represents wisdom, also alluding to Eden and the need to be ever-vigilant against evil. The serpent also has a heart-shaped ruby in his mouth, indicating that Elizabeth’s heart is ruled by wisdom, not emotion.

Elizabeth’s mantle is covered with ears and eyes, indicating that the Queen sees and hears all–or, perhaps, that her counselors and servants see all, but that only she speaks. In her right hand she holds a rainbow, symbol of hope, wisdom, faith and peace. The rainbow is oddly colorless—but the explanation seems to be in the Latin inscription on the painting, “Non sine sole iris”—no rainbow without the sun. Queen Elizabeth is the sun, her vibrant red hair and the elaborate rays of her multi-tiered lace collar proclaim that she outshines all by her brilliance, that she is the link to the divine, and that by her wisdom and virtue the people of England will be guided to peace and prosperity.”

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